An Escape to the Small Town

Plein Air Watercolor Sketch of the Edom Business District

Plein Air Watercolor Sketch of the Edom Business District

He talked about himself and said he didn’t feel he was creative anymore and that it was probably because he was secure, and he asked me how I felt, and I said hat I wasn’t creative since I was shot, because after that I stopped seeing creepy people.

Andy Warhol, The Andy Warhol Diaries, August 29, 1979

I awoke at 9:39 this morning, glad for one morning of “sleeping in” since school dismissed for vacation last Tuesday.  I have risen about daylight every morning because there was much to do and because I wanted a quiet “morning watch” to give a measure of Quality to my daily life.  But I got in late, late last night from Edom, Texas.  I set up my display at 6:30 Saturday morning, and shut it down at 9:00 p.m.  The two hour-plus drive home left me in shambles.  Now, a good night’s rest, followed by a steaming mug of coffee has me sitting up in bed, catching up on correspondence that has piled up the past 48 hours, reading some quality books (sampling diaries and journals from Warhol, Delacroix and Thoreau–strange bedfellows to be reading while I’m still in bed).

I have always been amused at Warhol’s wry comment about his creative juices drying up after his tragedy because he cut off the “creepy people” from his daily social life.  And I’m always interested in the topic of creativity ebbing and flowing.  I still re-read Julia Cameron’s The Artist’s Way because I’m interested in the issues of “blocked arrists” though I haven’t felt blocked in years.  I first came to peace with this issue when I read Emerson’s “Terminus” and Whitman’s “As I Ebb’d with the Ocean of Life.”  It was then that I realized that creativity and stagnation are a natural cycle.  We cannot avoid them.  They are as natural as inhaling and exhaling, intake and exhaust.

I have endeavored for years to stoke fires and keep creative fires burning.  I sincerely believe that my biggest obstacle has been an employment issue–I have taught full-time and part-time simultaneously for a number of years now, and often sign a summer teaching contract, so I don’t fit that mold of “public school teacher” whom the general population thinks works only 8-9 months out of the year.  I am a year-round educator working under two contracts.  About three years ago, I decided to stop using this as an excuse for not putting out much art work.  If art truly is my life, then I must fight to live.  And when I made that commitment three years ago, my artistic output increased from ten-to-fifteen watercolors per year to over a hundred (though of course, some of them are small 8 x 10″ “sketches”).  I make art year round, because I feel that I must “make something” daily, and I do.

Yesterday turned out to be a fine day at The Shed Cafe in Edom, Texas.  I was invited to be their feature artist during the commmunity’s Art Jam.  When the afternoon sun broke out, I walked away from my indoor display and took up a position on the front porch where I could see down the main drag.  The fall colors were still rich enough for me to attempt this plein air watercolor sketch while enjoying the live acoustical performances at the other end of the porch.  As I was nearing the finish to the sketch, I looked up and to my surprise saw two of my favorite students–twins that take my Advanced Placement Art History course and are quite prolific in making their own art, along with their mother and father.  Their mother is also an accomplished artist and photographer whom I met and became friends with last year while she was student teaching in our school.  The family had spent Thanksgiving with relatives in Tyler, Texas, and stopped on their way back to Arlington to see the Art Jam.  I cannot adequately express the heartfelt thanks I feel when I see friends at an art event so far away from home.  Their company, conversations and patronage touched me profoundly.  Not long after they had departed, I was surprised also by a visit from a watercolorist who participated in a couple of my workshops at Star Harbor over the past two years.  She had seen in an advertisement that I was going to be at this event, so she took time out of her schedule to drive up to Edom and renew our friendship.

As the night came on, and I began breaking down my show, a patron came and began looking through my scattered crates, found this watercolor and purchased it.  I’m always glad when a fresh painting finds a home so soon.  As it turns out, she and her family came from Fort Worth, so they drove even further than I did to attend the event.  Her young son is an aspiring oil painter of amazing skill.  I was delighted at the opportunity of looking at images of his work that he had on his phone, and closing out a quality day with meaningful conversation over making art.  Every time I meet a kindred spirit such as this, I feel that my own life has extended.  To me, nothing in life is more sacred than creation, and I cannot have enough conversations with others about the creative act.

Thanks for reading.

I paint in order to remember.

I journal when I feel alond.

I blog to remind myself that I am not alone.


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