Return to Drawing the Fort Worth Flatiron

 

Returning to Work on the Fort Worth Flatiron Building

Returning to Work on the Fort Worth Flatiron Building

It is something to be able to paint a particular picture, or to carve a statue, and so to make a few objects beautiful; but it is far more glorious to carve and paint the very atmosphere and medium through which we look, which morally we can do.  To affect the quality of the day, that is the highest of arts.  Every man is tasked to make his life, even in its details, worthy of the contemplation of his most elevated and critical hour.

Henry David Thoreau, Walden

Throughout this morning, while working on atmospheric qualities in watercolor, I was moved to find this passage from Thoreau that once impacted me while studying him back in the early 1990’s.  I don’t pretend to be consistent in living an artful life while making art, though it is sublime when life’s details and the tasks of making art are both at their best.  I can certainly vouch for a beautiful morning in the studio.  I reached a point in the Hermann, Missouri painting that I was willing to give it a rest.  Then, without a moment’s hesitation, I pulled out this closeup of Fort Worth’s flatiron building that I abandoned months ago and went right after it.  So far, the colors are working, and I am drawing, drawing, drawing.  I hesitate even to refer to this as a painting.  The sharp brushes are doing just as well as sharpened pencils, and I probably am feeling the same kind of satisfaction that an old-timer feels while whittling on a stick with a penknife.  The more I scratch and chip away at these details, the happier I feel as an artist.  I may not be too far from finishing up this work as well.

Thanks for reading.

I paint in order to remember.

I journal when I feel alone.

I blog to remind myself that I am not alone.

 

 

 

 

 

 

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