At the still point of the turning world. Neither flesh nor fleshless;
Neither from nor towards; at the still point, there the dance is.
T. S. Eliot, “Four Quartets”
From the moment I awoke this Saturday morning, I saw my bedroom bathed in bright sunlight, and my blood was stirred by these sentiments gleaned last evening from T. S. Eliot. Words for the Sublime will apparently never exhaust our vocabulary–God, Religion, Art, Spirituality,Truth, Enlightenment. But since I’ve been meditating on Eliot’s “Four Quartets” I’ve been jolted by his hints of “those rare moments when eternity intersects the temporal continuum, while treating also the relations between those moments and the flux of time.” And now, reading this poem that calls these sublime, transcendent moments “the dance”–what a word to describe the primal ecstasy I’ve known my entire life and have read with pleasure from the writings of Emerson, Thoreau and the British Romantic poets.
In Friday’s philosophy class, while contrasting Plato’s eternal with Aristotle’s movement, we pushed our research backward into the Presocratic fragments, and I chose to take my Heraclitus texts home with me to translate and to read essays on his work from Eliot and Heidegger. For years I’ve played with the notion of flux in Heraclitus and the explanation that nothing in life remains constant, but recently I’ve been reading critical works pointing out his obsession to know the underlying unity beneath the flux. As I spent hours yesterday and today translating ancient Greek texts discussing the source as well as the destiny of life, I found myself returning to T. S. Eliot repeatedly to read his comments that follow a number of Presocratic utterances–the end is already in the beginning. At my current age, this resonates with me more than ever before. I think that many of us during these senior years are puzzling out just exactly what our sense of purpose has been in this life, and how early we intuited that purpose. As we take our retrospective looks at our personal odysseys, we tend to extract meanings to the things we’ve done and are now doing. And I believe there is much reward in thinking over these things.
I apologize if these comments are scattered. I’m still puzzlling it all out, and plan to continue in this endeavor. So far, this is turning out to be one of my better holiday weekends on record, and I’m thankful for the time and space to read, reflect and write on these things.
Thanks for reading.
I paint in order to remember.
I journal when I feel alone.
I blog to remind myself that I am not alone.
Tags: Four Quartets, Heraclitus, Martin Heidegger, T. S. Eliot
January 18, 2015 at 8:21 pm |
O body swayed to music, O brightening glance,
How can we know the dancer from the dance?
LikeLike
January 18, 2015 at 8:29 pm |
I don’t know this piece, but love it!
LikeLike
January 14, 2018 at 1:46 pm
Yeats
LikeLike
January 18, 2015 at 9:36 pm |
I haven’t read much T.S. Eliot, but I think I will now. Nice thought provoking post. There was an interesting article on the Atlantic website about J. Alfred Prufrock being the first hipster: http://m.theatlantic.com/entertainment/archive/2015/01/how-ts-eliot-invented-the-hipsters/384175/
LikeLike
January 19, 2015 at 10:20 am |
This article in The Atlantic is very engaging! I’ve saved it in my files and plan to return to it, thank you!
LikeLike