The Harmony Beneath the Disarray

grapevine train.jpg

Nearing Completion of Another Watercolor 

The ancients, struck with this irreducibleness of the elements of human life to calculation, exalted Chance into a divinity, but that is to stay too long at the spark,–which glitters truly at one point,–but the universe is warm with the latency of the same fire. . . . Underneath the inharmonious and trivial particulars, is a musical perfection, the Ideal journeying always with us, the heaven without rent or seam.  Do but observe the mode of our illumination. When I converse with a profound mind, or if at any time being alone I have good thoughts, I do not at once arrive at satisfactions, as when, being thirsty, I drink water, or go to the fire, being cold: no! but I am at first apprised of my vicinity to a new and excellent region of life.

Ralph Waldo Emerson, “Experience”

Rising at 5:40 this morning, without an alarm, it didn’t take long before I felt bathed in the warmth of Emerson’s words. As an older man, he soberly assessed “experience” as a replacement for his earlier romantic flourishes as a thinker and writer. I love the quote above as he acknowledges that the spark in later years may lack the white hot dynamic of ideas that struck him in his youth, but the warmth and duration remained. Ideas such as this have helped me in my transitions in life, from a young educator, to one middle aged, and now retired.

More than ever before, I have come to embrace the “musical perfection” underlying the “inharmonious and trivial particulars” of daily life. In my early days of the ministry, I would devote all my energies of a particular day to poring over the biblical writings, believing that they contained the Word of God, and that I would be encountered, confronted by their message. I expected some kind of an oracle. For the past several decades, I have known that oracles would come through a multiplicity of avenues–literature, philosophy, conversation, art, music; I would no longer have to seek an encounter aggressively, but rather let it happen when it happens.

Today has been spectacular, though the bare details of the day sound pedestrian. I have divided my time between reading Emerson, writing a college lecture for tomorrow, listening to documentaries on YouTube on Hemingway and Joyce, finishing up a watercolor begun two days ago, and practicing guitar songs for tonight’s Open Mic. And all day long, a Presence has lingered with me, though I live alone. That Presence has been the underlying harmony of all the disjunctive tasks I have pursued. And I didn’t have to force any kind of encounter; it just happened, as it always does.

open mic

Fun at Dr. Jeckyll’s Open Mic

Thanks for reading.

 

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4 Responses to “The Harmony Beneath the Disarray”

  1. Carol Says:

    You are a man of many talents. Sing it! 🎶🎵

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  2. Jay Haeske Says:

    I didn’t knew you played the guitar! Which songs did you play during that session? What kind of guitar is that? Thanks.

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    • davidtripp Says:

      Thank you for asking, Jay. I play a Martin D-35 and absolutely love it. I got it in 2004. Last Tuesday I played “The Wreck of the Edmund Fitzgerald” (Gordon Lightfoot), “As Tears Go By” (Rolling Stones), and “Drake’s Passage” (Mark Hanson). In the past I’ve done “Tears in Heaven” (Eric Clapton), “Thrasher” (Neil Young), “Keep it Simple” (Keb’ Mo’), and one I composed: “Hey, Jack Kerouac”.

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