Quality Studio Time

Well, here in New York I cannot live the life I want to. There are too many appointments, too many people to see, and with so much going on I become too tired to paint. But when I am leading the life I like to in Paris, and even more in Spain, my daily schedule is very severe and strict and simple. At six a.m. I get up and have my breakfast–a few pieces of bread and some coffee–and by seven I am at work . . . until noon . . . Then lunch . . . By three I am at work again and paint without interruption until eight . . . Merde! I absolutely detest openings and nearly all parties. They are commercial, “political,” and everyone talks so much. They give me the “willies” . . .

Joan Miró

Quiet Morning in The Gallery at Redlands

As the night stretched into the late hours, I finally fell asleep to the ambient sounds of Union Pacific freights lumbering through downtown Palestine. Taking down my solo show in Dallas had proved to be an all-day affair, and I was exhausted once I finished the two-hour journey to The Gallery at Redlands. It felt terrific to sleep in this classic hotel again, I had been away so long. Waking at four this morning was not my plan, but once the light broke, the gallery downstairs took on that lustrous look that never fails to wake up my imagination.

I am thrilled to return to Palestine, and would like to announce to any of my friends in the area that I will be in the gallery all day and evening Friday and Saturday. I have brought back thirty framed paintings from my Dallas show and have them arranged in the Queen St. Grille across the hall as well as in The Gallery at Redlands. I’m creating new work at the drafting table, and would love to visit if you have the opportunity to stop by.

The quote above by Joan Miró made me smile. I do not detest the social moments the way he did, but when I have control of my own schedule, I love to pursue studio time much the same way as he–I just don’t follow that regiment daily. Having said that, I now lean forward in anticipation of a quality day in the gallery/studio with plenty of time to make art.

Yesterday I closed out my solo show at C C Young Senior Living in Dallas. I’m thrilled that a pair of my framed watercolors found a home. Last week, while painting at the bottom of Ransom Canyon in west Texas, I was surprised when my cell phone went off. C C Young was reaching out to notify me that someone had purchased “Cogar, Oklahoma”.

Cogar, Oklahoma

I painted this back in 2006, and afterward learned that the comical phone booth scene in the movie Rain Man was filmed at this location. After all these years, I am thrilled that the painting has finally found a home.

When I arrived yesterday at C C Young, I learned that someone else had wished to purchase this same painting, and wanted to know if there were copies. As it turns out, yes, I have made limited edition giclees of this piece, the same size as the original. The pleased patron purchased one of my editions.

As I was taking down the show, another gentleman approached me, and expressed his desire to purchase one of my paintings that I have favored over the years because it features me fly fishing in South Fork, Colorado, a place that alway stirs the deepest delight in my memories.

Finding the Seam

Before leaving for Palestine, the director at C C Young invited me to conduct watercolor classes at their facility during the summer. Details will soon follow, but I have been scheduled for weekly classes during the months of June and August. In addition to this, they would like me to conduct some workshops as well. Stay tuned!

Now, in the quiet morning light of The Gallery at Redlands, I return to several paintings in progress. While trying to figure out how to finish the plein air sketch begun at Caprock Canyon last week, I’ve been puzzling over color selections. These comments by Paul Cézanne make sense:

Light cannot be reproduced, but must be represented by something else, color. I was very pleased with myself when I found this out.

Paul Cézanne

Caprock Canyon still in Progress

When I began this 8 x 10″ watercolor sketch, I worked hard to match my colors to what I saw on the distant rocks as the sun began its descent. I thought I had something positive going here, until it dried and I took a look at it later. The dullness I find very unsatisfactory, and looking back over some recent reading from Robert Motherwell’s collected writings brought this to light:

A painter’s pigments are duller than light, forcing a series of substitutions, the brightest pigment becoming the equivalent of the brightest light, analogous structures.

So, it appears that I’ll be devoting a portion of this day to figuring out the “substitutions” necessary to wake up this dull painting of the canyon.

I framed my recent plein air sketch done mostly on location at Ransom Canyon. The frame measures 14 x 11″ and I am offering it for $150.

Ransom Canyon Rhapsody–$150 framed 14 x 11″

I have also added my recent coffe cup composition done in watercolor. I have it in the gallery and am offering it for $75. The frame measures 8 x 10″

Coffee Ruminations, $75, 8 x 10″ framed

Friday has kicked into high gear. I finally replaced all the paintings I took out of the Queen St. Grille for my Dallas show. The rest of the collection is stored here in the hotel. The Gallery at Redlands is still featuring the show of Elaine Jary’s beautiful watercolors. They will remain on view and sale through the Dogwood Festival coming up at the end of March.

Thanks for reading and please check out my website www.davidtrippart.com

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself I am not alone.

Tags: , ,

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s


%d bloggers like this: