Continuation of Painting and Gallery Preparations

Fort Worth Tower 55 in the Mist 16 x 20″ framed $500

Artists and writers who choose to live in a city are always living in two cities at once. Even as they are walking the streets of this particular place, they are also moving through a city of the imagination. And they may be so exhilarated by the overlap of these two cities, but the sense that the imagination is fortified by the facts, that they are hard put to disentangle the two.

Jed Perl, New Art City: Manhattan at Mid-Century

Working in Studio Eidolons this morning, I am loving the vibe I feel from The Twelve as we draw closer to our Opening Reception at The Gallery at Redlands, March 20 at 7 p.m. Each of us works out of our own particular city: Rolla and Bonne Terre in Missouri, along with the Texas cities: Amarillo, Arlington, Bedford and Fort Worth. each in our own special studio, our own atelier of visions and dreams. But all of us anticipate with enthusiasm the day we finally gather in Palestine, Texas, an historic railroad town with a beautifully restored Redlands Hotel established in 1915. The Dogwood Festival will kick off its three-week event on the day we gather, Saturday March 20. Booths will fill the streets downtown and people will be everywhere throughout the day and night.

I finally finished and framed my second railroad painting of Fort Worth’s Tower 55, this time in a misty environment. I got the idea while reading New Art City: “With Hofmann, each angle, each splatter, each color was a spark tossed off by life’s wild unpredictability.” In my mind’s eye, I envisioned the angles of Fort Worth’s rails at the interlockers adjacent to Tower 55. I decided I wanted to spatter ink and watercolor around the masqued rails, then add salt and stale bread crumbs to see how the colors would break up. Stripping away the masquing, I then refined the globs with a ruler, using sharpened graphite pencils, colored pencils, and a Micron tech pen. I also wanted to create a misty environment and worked carefully to dilute the pigments, occasionally using QTips to scrub away colors that were too dark or too intense.

I have decided to include this new watercolor with three other of my pieces when our show opens. The Gallery will look different to me, with only four paintings among the collection, but I’m thrilled now to show diversity in our space. Hopefully now there will be something for everyone when patrons enter The Gallery at Redlands to shop.

Painted looking out the Window of The Gallery at Redlands when we opened March 2017

I have decided that as soon as possible I will create another watercolor looking out the window of our Gallery at the Chamber of Commerce building and the Union Pacific railyards on the other side of Spring Street. This watercolor sold quickly. I followed with another and it sold as well. I hope soon to have another one on hand in the Gallery.

We are thrilled at the prospects of the Dogwood Festival and our Artists Reception in March. We hope you will come help us celebrate the event.

Thanks for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself I am not alone.

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4 Responses to “Continuation of Painting and Gallery Preparations”

  1. lorrainemcfarland Says:

    The painting looks beautiful! Stale bread crumbs??? I want to hear more about that when I see you! Maybe a little demo/lesson? I think I’m going to bring watercolors with me – lighter load on the plane…

    Like

    • davidtripp Says:

      Thank you! I have no secrets, will show you anything. So thrilled you’re coming down! If you need me to transport anything, I’m willing. Will come through Rolla the 16th, then again when I bring Wayne (Hank!) back to Missouri.

      Like

  2. doubledacres Says:

    Sweet. I like the ivory matte. I absolutely love the frame. Nice job.

    Like

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