
Enjoying Cowboy Coffee on a Saturday Morning in the Studio
An artist must never be a prisoner of himself, prisoner of a style, prisoner of a reputation, prisoner of success.
Henri Matisse
This is my first morning back in the studio after a short vacation home to St. Louis to visit my parents, siblings and friends. I’m getting ready to make some new and fresh art after a lengthy and restful hiatus and wanted to share some of my most recent moments and memories with my readers. I’ve been enjoying this new book Last Light that I have mentioned before, and am nearing the end of the Matisse chapter. The quote above arrested me, as I had been entertaining second thoughts about pursuing some art that lies outside my normal practice. The swift kick in the pants reminded me that a real artist is free to pursue whatever holds his/her attention. And I shall respond to these new stimuli.
I’m enjoying Cowboy Coffee made on our stovetop and thought I’d share the picture of the pot I brewed when our power was out. Much has been written of late about the political ramifications of Texas and its perennial boast of being a major energy capital of the world, yet cannot seem to keep electricity flowing when the state hits a winter deep freeze. We were fortunate that we only lost power for a few hours; many in this state have gone for days without it.
Today is the tenth anniversary of the photo taken above. It was during that winter that I converted our garage into a Man Cave and created probably my best still life while working in that space.
I now have this watercolor hanging in our Gallery at Redlands in Palestine. I used a full sheet of watercolor paper, so once the matting and framing were added, it turned out to be an enormous piece to display.
I have been more faithful recently to my pledge to sketch more, and have enjoyed the sensation of a pencil dragging across a page and leaving its tracks. I recall artist Paul Klee describing drawing as simply a line going for a walk. The act of sketching has ways of relaxing me that other activities cannot seem to accomplish.
After our St. Louis sojourn, Sandi and I headed south to Bentonville, Arkansas to visit the Crystal Bridges Museum of American Art. After my recent watercolor experiments in rendering trees, I was held spellbound while viewing the paintings of George Inness, Asher Durand and William Trost Richards. I feel like I have barely scratched the surface of watercolor landscape painting now. And I have little doubt that the works of these kindred spirits will improve my future endeavors.
George Inness, An Old Roadway
Asher B. Durand, Kindred Spirits

William Trost Richards, Landscape
We closed Gallery at Redlands for two successive weekends so we could enjoy some relaxing vacation time. The Texas winter storm occupied the first week and the Missouri/Arkansas travels filled the second. We plan to return to Palestine a week from today to resume our normal gallery hours.
Thanks for reading.
Tags: David Tripp artist, Eyes of Texas Fine Art Gallery, gallery at redlands, Palestine Herald Press, recollections 54, Redlands Hotel, Studio Eidolons
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