Archive for the ‘art gallery’ Category

Sunday in the Gallery

December 10, 2017

I begin a painting with a series of mistakes . . . 

Robert Motherwell

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It is Sunday morning, and I feel well-rested, despite a Saturday filled with events lasting into the night. Palestine had its Main Street Wine Swirl and over 400 people purchased tickets for the event that took them to places all around the business district, including the Redlands Hotel. Knowing the lobby would be filled with people, I took advantage of an opportunity to play guitars and sing with my new friend Drew Minshew that I met while painting on the Waxahachie town square last spring. Drew and I spent the evening filling the gallery with our favorite tunes, and everyone coming in seemed to have a good time.

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This morning, I have begun work on a new painting of the Chamber of Commerce building across the intersection from the Gallery. The one I started a few weeks ago sold off the easel unfinished, and I was delighted that the buyer preferred the vignette look of the work in progress. Nevertheless, I have begun another, hoping I could perhaps finish this one. I cannot say I agree with Motherwell’s sentiments of beginning a painting with a series of mistakes, though I know that experience all-too-well. I just don’t prefer it!  Instead, I like Andrew Wyeth’s sentiment that working with watercolor and pencil is much like fencing–you need to thrust the point of  the pencil with precision and confidence, with no second-guessing.

Thanks for reading. Sundays are usually quiet around here, but this morning has been filled with interruptions as more people seem to be getting out on this sunny, cold Sunday morning in Palestine. I opened the gallery at 9:00 and found people all over the hotel lobby already.

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Music in the Gallery Today

December 9, 2017

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Tuned & Ready

Saturday window

Window Display at The Gallery At Redlands, Palestine, Texas

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My Latest Train Watercolor Delivered Today from the Frame Shop

This weekend at The Gallery at Redlands has been a joyous experience. Plenty of shoppers are pouring into the town for this afternoon’s Main Street Wine Swirl. Part of the event will be held in the lobby of the Redlands Hotel just outside the gallery. I have a guitar picking friend coming to join me at 6:00. We plan to play acoustic guitars and sing our favorite songs into the evening, hoping to please the folks coming through. I’ve posted my most recent painting. The frame shop delivered it this afternoon, and I’m ecstatic over the work they did with the framing. I’ll be ordering limited edition signed & numbered prints of this next week.

Thanks for reading.

Approaching Yuletide

December 7, 2017

300 finished

Finally Finished with the #300

This watercolor marks the culmination of my 2017 series titled “The American Railroad Odyssey” featured at The Gallery at Redlands in Palestine, Texas. The subject is one of the steam locomotives that used to pull The Polar Express between Palestine and Rusk. I thought it fitting to enter the Christmas season with a splash of red as the Texas State Railroad 300 approaches the station in the night to pick up waiting, expectant children in their pajamas.

This has been an exciting week of business and pleasure in Lubbock, Texas. I have entered into an agreement with another gallery, Art for Goodness Sake Gallery & Studio located at 1810 19th Street. David and Leann Lamb-Vines have been such gracious proprietors and I have deposited in their gallery a substantial quantity of greeting cards (including the new sets of Christmas card trains) and limited edition signed and numbered prints. Already they have sold pieces of mine, and I’m excited to be in business with them.

Tomorrow I will give my last classroom final exam at Texas Wesleyan University and then plan to enjoy an extended holiday break before resuming with a pair of Humanities classes in the Spring. Some of my finest students have already signed up for that course, and I’m ecstatic at the prospects of seeing them again.

I have had the privilege of writing extensively in my journal this morning as I’m now reading volume 1 of Robert Motherwell, A Catalogue Raisonné, 1941-1991. A deep sentiment was triggered when I read the following words of something he experienced right after his first one-man-show:

This was the moment when Motherwell realized that he did not have to try to seek a single image, or give a real priority to any single image; that he wanted to create a body of work that would reflect the entire range of his sensibility and feelings, which he could explore in different images that would reflect different aspects of his being.

I found this liberating, because I, as an art history teacher, recognized that though Motherwell is often “branded” with his “Elegy of the Spanish Republic” and Willem de Kooning with his “Woman” series, that these artists did not stick with just one subject; they were not one-trick ponies, and never became their own fan of a single signature series.

Since March of this year, I have focused on train subjects in my watercolors, knowing I was going to launch this Railroad Odyssey show in December. But now I am ready to explore other subjects once again, as in the past I have delighted in a number of genres, including plein-air landscape, still life, American nostalgia and Blues music. Recently there has been a revived interest in my collage pieces of my academic heroes. I have plans to return to that genre as well.

The holiday season is offering plenty of new experiences, and I’m beginning to relax into this new life that beckons.

Thanks for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself that I am not alone.

Gearing Up for the Final Show of 2017

November 29, 2017

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Trying to finish this Texas State Railroad Locomotive

I believe the great artists of the future will use fewer words, copy fewer things, essays will be shorter in words and longer in meaning.

Robert Henri, The Art Spirit

All good poetry is the spontaneous overflow of powerful feelings. . . . The imagination must learn to ply her craft by judgment studied.

William Wordsworth, “The Prelude”

I feel that I have somehow packed three days into one, as this Tuesday has been exceedingly long and arduous, yet satisfying. Rising at 6 this morning, I managed to put in some quality reading time, then left the house to pursue business errands until this evening, sat down next to compose tomorrow’s final lecture for my college Ethics class, then finally worked in the garage on my booth presentation for this weekend’s show.

My quotes above came from the morning of reading, and I was most captivated by the contrast in Wordsworth’s pair of statements, namely that art is a balance between an explosion of feeling and editorial restraint. As I work to complete the steam locomotive started several weeks back, I seek to lay down the precision and geometry required by the subject matter. But boy, how I enjoyed all the splashing and splattering of the night sky and and the loose washes of color on the body of the locomotive, before the time came to tighten up and lay in the exacting details.

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I should consider myself fortunate that I could not leave my house this morning until businesses opened, so I had three hours of solitude for reading and writing. The writings of Robert Motherwell fed my soul as they always do. This remarkable Abstract Expressionist artist was the prime example of a life that blended scholarly pursuit with art making in the studio. For decades I have sought a balance between my academic studies and my art pursuits and always look to this man for my inspiration.

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After my study time, I went out to mail 110 postcards I had addressed by hand last night, announcing this weekend’s Randy Brodnax and Friends Christmas Show at the Sons of Hermann Hall in Dallas. After the post office visit, I drove the two hours to Palestine, Texas to The Gallery at Redlands to spend some time working on my watercolor. The light in the gallery windows was perfect for the early afternoon studio time.

After painting for awhile, I then packed and loaded the inventory and furniture necessary for setting up my booth Friday in Dallas and then drove the two hours back home. Once there, I sat down and composed tomorrow’s Ethics lecture to be given at Texas Wesleyan University (my only regular job now in my semi-retired lifecycle). Once the lecture was complete, I went into the garage to unload the Jeep and begin planning how I’m going to set up an 8 x 10′ booth space at the weekend show.

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I’m glad to have sufficient garage space to work on this booth for the next two days. I’ll be making decisions on lighting and Christmas decorations as well as the particular art inventory needed for the show.

Thanks for reading. It’s been a lengthy day, but I’m glad to get some important matters accomplished.

Holiday Solitude in the Studio

November 20, 2017

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While you are alone you are entirely your own master.

Leonardo da Vinci

Waking up around 5 this morning, I realized with gladness that I don’t have a class to teach for a solid week. I knew that last Friday when our university dismissed for Thanksgiving, but truly felt it this morning. My Monday-Wednesday-Friday classes begin at 9, and always on Monday I awake around 5, thinking about what I’m going to say in four hours. Instead, today I went straight to the drafting table and resumed work on this #300 steam engine from the Texas State Railroad that I abandoned until this past weekend. I’m starting to feel the momentum return, much the way the steam locomotives did when they resumed a journey after a lengthy layover.

I also hope to complete my reading of the Walter Isaacson biography on Leonardo da Vinci. I’m 229 pages into the piece, and have loved every page, as the author chooses to explore this amazing man through his notebooks. This morning is a good time to be alone and think about the work I’m pursuing these days.

The weekend at The Gallery at Redlands was sublime as always, and it was capped by a surprise visit from my dear friends, the Darrs. Yesterday we got to spend several hours visiting in the gallery.

I will not return to the Gallery for the next two weekends. I assume the Thanksgiving weekend would be quiet for business, and I am privileged to take part in the Randy Brodnax and Friends Christmas Show in Dallas December 1-3. I’ll return to Palestine the two weekends following and close out my railroad exhibit.

For anyone interested, I have the following originals on display, along with limited editions for $70, 11 x 14″ matted prints for $25, 8 x 10″matted ones for $15, and box sets of 6 cards for $25. I also have a pair of coffee mugs designed featuring my watercolor trains.

Thanks for reading.

610 Schultz large cropped

Night Train Violet

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Night Train Blue

Blue & Red diesel

Chevron Diesel

Orange diesel

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Dreams of Yesterday

grapevine train

durango-silverton

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eureka springs

Return to Painting with a Surge

November 19, 2017

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Leaving the university Friday morning, with a one-week Thanksgiving vacation in front of me put a considerable wind at my back. I arrived at The Gallery at Redlands in Palestine (my home away from home) in time to give a two-hour watercolor lesson to an artist with considerable experience and talent already. Watching her work was a real inspiration for me, and as soon as the lesson was accomplished, I was ready to return to painting after a short hiatus. The painting above of one of the Texas State Railroad locomotives I resumed after laying it aside for a few weeks. I worked on it till late Saturday night, while the Gallery was quiet.

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Rising shortly after 5 this morning, I was ready to resume work on the Chamber of Commerce building as seen outside the Gallery window. I began work on it Saturday morning before the Gallery traffic began picking up. Today the morning sun was bright on the side of the building and I managed to get quite a bit accomplished.

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Saturday morning, early, I got a good look at Shelton Hall in Old Town Palestine while enjoying my morning coffee at the newly-opened Cream & Coffee establishment. While sitting outside, I sketched the roof of the old building in my journal with a ballpoint pen and decided once I returned to the gallery to get a start on this one as well.

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It is now Sunday evening and nearly time to close the Gallery and head back to Arlington (a two-hour drive). The painting time has been luxurious, and my reading of Isaacson’s new biography on Leonardo da Vinci over the weekend has also been a delicious change of pace from what I’ve had to do the past few weeks getting ready for this train show.

My Gallery show will continue to run until December 16, and I’m grateful already for the patrons who have drifted in to peruse my work and make purchases.

And thanks to all of you for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself I am not alone.

Finally Ready for Show Time

November 11, 2017

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Around Midnight, ready for the Opening

Finally, the last piece is in place and I should be able to sleep tonight. I will be able to open the gallery at ten in the morning, ready to welcome anyone who crosses the threshold. We are in Room 109 of The Redlands Hotel, 400 N. Queen St., Palestine, Texas. Our Gallery at Redlands has been in business since March and we’re all proud to be in this historic space.

The show is titled “The American Railroad Odyssey.” I have new watercolors of historic trains, mostly the ones located in Palestine’s history. For the show I have also brought out ninety signed & numbered prints, as well as open prints in 8 x 10 and 5 x 7″ sizes. I have greeting cards with my railroad watercolor images on the front and a text on the back (blank inside). I sell these at $5 each or $25 for six in a boxed set. Coffee mugs have also been created that sell for $15. This will be the first Christmas season that I have such a full inventory. Hopefully, I can offer something for everyone.

Thanks for reading, and enjoy your weekend.

Distractions

November 10, 2017

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Finally, at 9:30 p.m., I’m settling into The Gallery at Redlands for a quiet night of finishing the show details. Even though the show official opens tomorrow, I don’t feel the time pressure, because I’ve completed all the ground work and now just have to complete the unpacking and setting up. The Red Fire Grille across the hall has closed for the night, so there are no longer people coming in and out of the gallery. The conversations have been wonderful, and I’m excited about having met some new friends.

On the way to dinner tonight, I picked up the local paper, The Palestine Herald-Press. I had already read the article they published online last night, but I wanted a hard copy. Reading it over dinner was gratifying. I laugh at stories of Andy Warhol combing the New York papers every single day, looking for some mention of him. It was said that if he wasn’t mentioned, he was depressed for the day!

I really like the feel of this, though. Palestine is a town of 18,000, and its citizens read the newspaper. I was featured in the paper last March when my One-Man-Show opened this gallery, and a number of patrons coming in the day after said that they came to check out the gallery because they had read about it in the papers.

A number of friends in this town have gone the extra mile to broadcast this show. The Vistiors Center reached out to me yesterday asking for details, having received an announcement through social media. They now have a box of my assorted greeting cards in their store, advertising and telling patrons about our show.

Well, I guess I have procrastinated my job long enough–time to finish out this display. Thanks always for reading.

Somewhere Beneath this Pile Exists an Art Gallery

November 10, 2017

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Working Overtime Tonight in The Gallery at Redlands

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Four hours’ worth of sleep won’t generally work for me. Last night I stayed up late due to some issues with my printer and the labels for ninety new limited edition prints as well as the framed paintings recently hung in our gallery. Around midnight, the printer stopped working and I threw in the towel and went to bed. I was awakened at 1 o’clock by the printer suddenly “waking up” and printing again. At 5, a decided to rise and finish the job before going to my 9 and 10 o’clock classes. Following classes, I drove the two hours to The Gallery at Redlands, and with abundant help from Mike, moved a large quantity of framed paintings out of the gallery and into storage several floors upstairs. By then, I was too dumb with sleep deprivation to spell my own name,  so I went to my hotel room upstairs (The Historic Inn at Redlands is indeed the greatest place I’ve ever experienced for overnight stays and even general living!) and crashed into a nap. Now, after 7 o’clock, it’s gotten dark outside, and the gallery still looks as it did when I hauled all the freight in yesterday and today. My “American Railroad Odyssey” show opens in the morning, and I know we will be ready.

I am indeed looking forward to this quiet evening working in The Gallery at Redlands, after I dash out for a quick supper. I have no other commitments, its Friday night, and the only thing I need to do now is affix labels to about one hundred fifty limited edition prints, arrange them in the bin, and then put the labels and placards up with all the new paintings that were hung yesterday. Then I need to carry out boxes and boxes and boxes to my Jeep. I know that from underneath all this debris a gallery will emerge once again and I’ll be sitting in the midst of it, living the dream.

I could never sufficiently thank Wade, Gail, Jean and Mike for all they’ve done to make this gallery a reality. I can’t recall a time in my life when I have felt more fulfilled. This is a beautiful space.

Thanks for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself that I am not alone.

Shaping the Gallery for the Show

November 10, 2017

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Display Window at The Gallery at Redlands

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Setting Up Some of the New Merchandise

Today we reaped the whirlwind Wade and Gail Thomas met me this morning at The Gallery at Redlands in Palestine and immediately we set to work, each of us on a different track and working quickly–taking down old paintings, hanging new ones, decorating windows on both ends of the gallery, rearranging furniture. Several times I nearly laughed out loud because I felt that we were in Andy Warhol’s Factory, there was so much going on.

Penny Webb, editor of the Palestine Herald-Press newspaper, arrived in the afternoon and interviewed me. I found her to be so personable and attentive to detail. She made it so easy to visit about the work and share ideas concerning the upcoming show.  Already the article is posted for the Friday edition of the paper:

http://www.palestineherald.com/community/your-life-david-tripp-s-american-railroad-odyssey/article_8551b23c-c5cc-11e7-8da0-b79faf2304d4.html

Tomorrow (Friday) is my last day to get the final details in place. Paintings are hung. Limited edition signed & numbered prints arrive tomorrow. Saturday, ready or not, the show must go on.

Thanks for reading.

I paint in order to discover.

I journal when I feel alone.

I blog to remind myself that I am not alone.