Posts Tagged ‘David Tripp workshop’

Looking Ahead, to Making Art and Workshops

February 27, 2016

long dock

The little stump of candle left by the memory of his predecessors casts no light on the way ahead, only on what lies behind. The artist is so made that he can’t go back without giving himself up for dead. He must go forward in whatever direction his efforts may carry him—for every generation the ground behind you is a quicksand.

Henri Matisse

Though my body resides in the Dallas/Fort Worth metroplex this weekend, my spirit has soared ahead to Spring Break and my return to Corpus Christi for my one-man show, “A Week on the Laguna Madre,”showing March 3-26. The artist’s reception will be held Wednesday evening March 16, from 5 till 7:00. I have been invited to conduct two plein air watercolor workshops while there that week. The first will be for two and one-half days, March 15-17 at the Art Center. Tuition for this one is $250. Details for this show are on the following link.

https://app.etapestry.com/cart/ArtCenterofCorpusChristi/default/category.php?ref=364.0.11100181

Immediately following that workshop, I will take six applicants for a two-day (0ver night) workshop on the spoil island in the Laguna Madre, where I served my residency in June of last year. Tuition for this is $290. Anyone interested in applying for the island workshop may go to the following link:

AiR Program News

Below is a cool link of a helicopter video taken while flying over that island:

I have spent most of this Saturday morning writing, an activity I wish I would practice more often, like my poet-friend. But I awoke with so much on my mind and had to find a way to get it on paper. Below is a portion of what I’ve written:

You won’t find Poussin in Cézanne.

You won’t find Cézanne in Matisse.

You won’t find Matisse in Motherwell.

And you won’t find Motherwell in me. But the passion, the ideas are still there, undulating beneath the placid surface waves of my consciousness. When I make art, I enter a different world. And it is the act of drawing and painting—the dance—that moves me more than the image that emerges from the white picture plane. And the dialectical struggles inherent in composition also energize me. One stroke calls out for a second. A warm color coos for a cooler one. A dark tone whispers for a lighter one to conjoin. I hear this conversation among the elements as I arrange them like a little boy arranging his miniature soldiers on the field of combat. And I feel that in this action I am partaking in something cosmic and historical—I am part of this web of current existence as well as an extension from the past. And my directional light comes from the past, from behind. It is never found out front.

(Matisse) “The little stump of candle left by the memory of his predecessors casts no light on the way ahead, only on what lies behind. The artist is so made that he can’t go back without giving himself up for dead. He must go forward in whatever direction his efforts may carry him—for every generation the ground behind you is a quicksand.”

And then there is this, lifted from a journal entry dated August 19, 2007, following a 3200-mile road trip from Texas to Missouri to Kansas to Colorado to New Mexico and back home. I was seated on the front porch of the Peter Hurd Ranch in San Patricio, New Mexico:

leaf

I am the artist. Like Andrew Wyeth I now focus on the close-up leaves and plan to study Albrecht Dürer. Remember [my high school art teacher] Mr. Scucchi’s crow quill pen and ink wash of the corn stalk. Amazing! I will study these. Now, I am more artist than teacher or philosopher or musician. My imagination is flooded with images of the beautiful world which I have always loved, always scrutinized. But now, somewhere between Thoreau and Wyeth, I let nature seep through my pores.

Somewhere Between Wyeth and Thoreau

Somewhere, between Wyeth and Thoreau, I pause. Like Wordsworth I pause. My Grandma Tripp’s yard with all its odd fencing, vegetation and brooder house, comes back to me in waves. Ghosts. Voices. Whispers. I pause. Epiphany is there. The drawing and watercolor emerge from the white void, the white cloud of the paper plane. Surely there is Oriental thought here as well. Explore. Gaze. Contemplate. Ruminate. Let the images emerge. In the words of William Carlos Williams, “Let it come to you!” Myriads of images. And when the dust settles, package them and store them for future display or studio use.

Thanks for reading my wandering thoughts . . . It’s been a most pleasant Saturday morning over coffee.

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Video of the Laguna Madre Field Station

February 9, 2016

I just found this cool 41-second video filmed from a helicopter approaching the Laguna Madre Field Station where I did my artist-in-residence in June 2015. This will be the site of our island watercolor workshop March 18-19. Enjoy! Hope you can join us. Remember, only six will be selected to participate.

Announcing Two Watercolor Workshops in March!

February 9, 2016

My Thoughts are Still at the Laguna Madre

I am deeply pleased to announce that the details have been finalized for two watercolor workshops I will lead in Corpus Christi next month, capping the Artist-in-Residence program I was honored to serve last summer.

The first will last 2 1/2 days, March 15-17 at the Art Center in Corpus Christi. Fee will be $250. The enrollment is open to anyone interested, and is hosted by the Watercolor Society of South Texas. My focus will be on plein air but I’m also pleased to assist anyone wishing to work from photographs or still life objects.

The second will be March 18-19, an overnight excursion on the island in the Laguna Madre where I did my residency last June. Meals will be provided, and we will sleep overnight in the Field Station. This will be limited to six participants, and the fee is $290. Plein air will be the sole focus of this instruction as I gladly introduce participants to painting the splendid environment that still floods my soul with the most splendid memories and sensations. That island experience was life changing for me!

I am posting the link to these two workshops, as enrollment and payment go to two separate institutions, the first to the Art Center of Corpus Christi, and the second to the Center for Coastal Studies. All contact information may be found on this link:

AiR Program News

My one-man show will run through the month of March at the Art Center of Corpus Christi, and I will be present at the Artists Reception, March 16.

After all these months, I am so ecstatic that this time has finally drawn near.

Thanks for reading.