Posts Tagged ‘fly fishing’

Sketching into the St. Louis Night

May 2, 2023

Thus the artists–in which term I hereafter include the poets, musicians, dramatists, plastic artists, as well as saints–are a “dew” line, to use McLuhan’s phrase; they give us a “distant early warning” of what is happening to our culture.

Rollo May, The Courage to Create

I’m much happier and relieved to report that today for the first time Dad was lucid, feeding himself, and totally alert to his surroundings. It was such a joy just to sit next to him and feel the connection of genuine communication. It wasn’t long before he became drowsy and needed sleep, so I left, but left lighter and happier. I look more forward now to tomorrow.

I opened Rollo May, trusting that this dear sage would speak to my deepest needs. And he didn’t disappoint. Before I finished a chapter in this volume, I took out my sketchbook and began sketching quickly with a glad heart. I don’t know that anything I create could ever serve as a “dew line” for our society, but I can say with clear authenticity that making art does something special to me. At this late age, art has become more important to my day-to-day living than any other task I’ve been trained to perform.

Thanks for reading.

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Watercolor Sketching in Studio Eidolons

January 28, 2021
Working in the Watercolor Sketchbooks this morning

Then in the Arctic half-light of the canyon, all existence fades to a being with my soul and memories and the sounds of the Big Blackfoot River and a four-count rhythm and the hope that a fish will rise.

Norman Maclean, A River Runs Through It

Waking early with these words in my memory, I rose from my bed knowing what I wanted to do as soon as I entered my space in Studio Eidolons–sketch the solitary fly fisherman. For the moment, I am ready to lay aside plans for finished watercolor paintings and instead fill up some pages in the sketchbooks with experimental techniques. My hope is that experimentation will free me up to discover new ways and methods for rendering subjects in water media. I have always been afraid and tight when it came to inserting the human figure into my compositions. Hopefully I can break through that barrier with these new attempts.

I am sketching these from photos Sandi took of me with her phone while fishing recently in the Guadalupe River and last September when I was in the South Fork of the Rio Grande. Both locations provided an abundance of memories that visit me as I work on these this morning.

My artist friend Cindy Thomas has created a seven-minute film of me painting in Studio Eidolons and fly fishing in the Guadalupe. The rough cut has already been given to me, and watching it has been so warmly satisfying. Once the film is complete, I look forward to sharing it online for those who wish to view it. The water in the Guadalupe was clear as an aquarium, and the sunlit beauty of the setting was stunning, as was the thirty-degree temperatures.

My experience last September at South Fork, Colorado was also scintillating, to say the least. A foot of snow had fallen the day before, and as I stood in the stream, a fresh, heavy, wet snowfall doused me, and the brown trout rose with an enthusiasm I have seldom experienced on the stream. I have those photos laid out for potential sketches as well.

Thanks for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself I am not alone.

Three Fly Patterns Completed and Packaged

September 1, 2020
Working in Studio Eidolons
Elk Hair Caddis
Royal Wulff
Parachute Adams

I have happily drawn this commission project to a close–three fly patterns, all of them 8 x 10″. For over ten years, I have had the desire to attempt these subjects in watercolor, but was always too timid to try. Once this commission “made” me take the plunge, I found out how enjoyable such an endeavor can be. The nature of the hackles forced me to develop more sensitivity with brushstrokes. In the midst of the project I returned to the Six Canons of Painting by the Sixth-Century Chinese painter Xie He. I really needed this reminder about the “bone method” in the second principle which calls attention to the integrity of the individual brushstrokes. I believe I’m going to take the next step and see if I can market such images in the future. Already I’m thinking about creating greeting cards with these images on the front and boxing them in sets to sell.

More jobs await. Thanks for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself I am not alone.

We Must Cultivate Our Own Garden

August 31, 2020
Reminiscence of Grandma’s Garden Gate

Sitting up in bed with my morning coffee, I looked up again at one of my watercolors we keep framed and hanging in the bedroom. The composition always brings to mind words from my Mom about the morning she brought me home from the hospital over sixty-six years ago. She still tells me that the fragrance of lilacs blooming greeted her when she carried me through the garden gate of my Dad’s parents’ farm. That was the reason I painted this composition; Sandi and I purchased this gate from an antique store in Lubbock years ago for the express purpose of bringing it home and my painting it.

Continuing to think over the painting, I went to the bookcase and retrieved my volume of Candide’s Voltaire, which closes with these words:

. . . but we must cultivate our own garden.

Those words haunt me because I awoke this morning, my head filled with the acrid smoke of degrading words wafting through our atmosphere from our perennial political rancor. Some people seem to crave this diet. I am not among them. Years ago, when I started this blog, I wished to send words out into the social media torrent that would make readers feel better, instead of worse, living in this current climate. I believe we have the strength to determine what to fix our minds upon, and I further believe the ancient Proverb that states “for as he thinketh in his heart, so is he.”

My continued reading in Zola’s The Masterpiece continues to fill me with richness of thought. The words Claude spoke to his author friend may as well have been directed at me:

“Why should you worry?’ said Claude, after sharing Sandoz’s silence for a moment. “You’re happy, you’re working, you’re producing something!”

Studio Eidolons

Walking down the hall and entering Studio Eidolons with a glad heart, I sat down to one of my drafting tables and made a collage greeting card, using folding card stock with matching envelope from a vast collection I have been saving and hoarding for over a decade. While refurbishing my studio over past months, I have opened boxes and cabinets stuffed with art-related materials that I had forgotten about and decided I would begin making things with them once again.

Once the collage/card task was completed, I went to the other drafting table and resumed work on the trout fly still waiting for me. This is a Parachute Adams pattern that I could possibly finish later today. It will complete a series of three trout flies I have been commissioned to paint.

Parachute Adams in Progress

Thanks for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself I am not alone.

Finding my Way Back

March 26, 2020
Quality Moments for Reading, Recording and Painting

There is Spiritual Power in our speech. The First Worker blew His breath into the first human. He created and made him breathe and so there is Spiritual Power in our speech. Be careful in how you speak.

Baaannile (Direction of the Path of the People), White Owl

White Owl, delivering his wisdom to the Crow tribes, has struck a deep chord within me this morning. In the midst of this Stay At Home directive that has confined me to the hearth, I have tried largely to avoid the reckless waste of words tossed over the air by alleged leaders of this country–people who were appointed to their positions because of the trust that they were mature and wise. Some sound decisions are being made, I believe, but much of the rhetoric, political posturing and showmanship I can do without. Words are precious and pack much power, but diminish exponentially when used for carnival barking.

My former student, Eric Tiner, lives among the Apsáalooke (Crow) in southern Montana where he has found a rich life and work. He has graciously sent me this book handed down by White Owl, and in recent days, my soul has been replenished by words from this sage’s reservoir along with words from N. Scott Momaday and the Kiowa traditions. Not only have these wise men granted me new visions for subject matter in painting–they have also filled my journals with fresh vistas of thought.

Working on a Pair of Watercolors

Most of Wednesday was spent in my makeshift studio, working on a pair of watercolors (one of a Kiowa subject, the other a Crow). As I worked, I listened on YouTube to a pair of engaging documentaries of the life and work of our famous American illustrator N. C. Wyeth, father of Andrew Wyeth. N. C. has arrested my attention over this past year as I have learned that he was a lover of books and ideas and these were the motive power behind his magnificent paintings. As I have previously written, I have deeply appreciated the rich writings of painters including Robert Motherwell, Barnett Newmann and Mark Rothko, but I find very little in common with their Abstract Expressionist syles of painting. Now I seem to have landed in the embrace of a kindred spirit who loved books and representational painting as I do. Those who know me personally are aware that I have a deep-seated attachment to Andrew Wyeth’s art. However, I deeply resent a public remark he made in an interview that he believed his father wasted too much time reading Thoreau and Emerson. And so, though I am more attached to Andrew’s techniques and subject matter, I am much more attached to N. C.’s written words that express rich profoundness of thought.

As I have felt my strength returning to me in the past few days, I have appreciated the stamina of my eyes and mind to read, think and write once again. And now, it feels good to get out and walk in the open air (where there are not other people nearby) and feel strength returning to my body. Before this virus scare, I always felt compelled to travel and network for the purpose of increasing the visibility of my art. But frankly, I prefer the more sedentary life, and always had this inborn fear that I was being “lazy” when devoting large blocks of time to my studies and my art. This beginning of 2020 has been most unusual, as it has marked the first time in over thirty years that I have no teaching contract of any kind, and now the Stay at Home directive essentially tells me to stay in. I have read the remarks of many who are frustrated that they cannot get out and find a social life or enjoy shopping, but frankly, I have appreciated very much this respite. The life of the mind is rich enough for me, and I relish this gift.

Last evening I felt good enough to get out and walk, and decided to pack a folding chair, fly rod and good book as I made my way to the nearby park where a large playa has spawned a population of catfish and carp. I eschewed the classical manner of fly fishing, choosing instead to tie on to my leader a small strike indicator bubble and a size 18 treble hook dangling 12″ further. Three pieces of whole kernel corn were spiked onto the treble and I slung the bait out into the center of a finger of the playa, laid the rod at my feet and let the evening winds carry the line along, coming to rest about a foot from the bank. Nothing happened, as expected, but the evening winds whispered among the leaves of the shade tree overhead, and I felt very much alive and thanful. Opening N. Scott Momaday’s The Man Made of Words, I turned to my bookmarked spot, near the finish of this magnificent book. Reading and glancing up at the bubble every few minutes, I found myself soon immersed in Momaday’s world, and was surprised at one point to look up and see the bobber dancing all about. The carp was heavy for my light-weight fly rod, and bringing him in took awhile, as I didn’t want him to break off the fragile leader. His gold and green glistened in the sunset and I took a moment to admire and photograph him before returning him to his home. He sure was a stout fellow, and disappeared in a flash when I let him go.

A sturdy carp taken on a flyrod

This Thursday morning is bright and sunny in west Texas. I am choosing again to stay inside for the day. There is plenty to keep my imagination occupied, and I’m glad to start the day by sending these words and pictures to you.

Thanks for reading and please check out my website at www.davidtrippart.com

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself I am not alone.

The Afterglow

April 10, 2017

puppy

All I Needed this Morning was a Puppy to Hug

Just when I concluded that this Monday morning following my show couldn’t get any better, a sweet puppy trotted into the copier room at school. One of my colleagues was preparing to take him to the vet. I have had shih tzus in my past, and certainly miss their affectionate nature. This one was no exception. Having these moments to love him before walking into my first class was the ice cream on the cake. Thanks, Molly, for sharing him!

Fishing Memories

Fishing Memories, coming out in limited editions for $100

I am very pleased to find my “Fishing Memories” watercolor now getting attention. This morning I have been approached by two friends asking for a limited edition giclee. This print will be the same size as the largest ones I’ve sold before (“Summer Morning in Sundance Square” and ” Fort Worth Cattle Drive”). Today I will place an order for the first four with the company that designs my limited editions. Thank you, Mark and Kathy, for your interest that got this started. I still believe this is the best watercolor I have done to date. My original is still available in its frame for $1200. These limited editions will be priced at $100.

I am feeling profound withdrawal. I knew I was going to miss the people in Palestine, Texas, but had no idea how profoundly I would miss them this soon. I have opportunity to return to that town for future work and I cannot wait for that to happen.

Again, thank you so much for all of you that took interest in my One-Man-Show, clearly one of the best experiences of my art career.

I paint in order to discover

I journal when I feel alone.

I blog to remind myself I am not alone.

Unwinding After a Spectacular Weekend

April 8, 2017

seam

The soul is not a compensation, but a life. The soul is. Under all this running sea of circumstance, whose waters ebb and flow with perfect balance, lies the aboriginal abyss of real Being.

Ralph Waldo Emerson, “Compensation”

I have hung the painting above, titled “Finding the Seam” in place of the “Fort Worth Cattle Drive” which just went home with its new owner. The fly fishing painting was copied from a photo of me fishing the South Fork of the Rio Grande several years back. I have it listed at $800 framed. I’m happy that it fits the gap just fine that was left by the cattle drive composition.

I am keeping the Gallery at Redlands open till 9:00 p.m., since restaurant patrons are still drifting in and out. But now I finally have some time to read Emerson and reflect over a perfect day. The Emerson quote has come alive for me in the quiet of the evening as the hotel finally grows quiet following a day of high activity. Patrons kept me busy and talking almost the entire day, and sales have kept us all happy. This one-man-show has gone far beyond my highest expectations, and one day remains. A part of me is sad to see it come to a close, but another part of me is bone-tired and could use some rest. For three weekends now, I have felt this pull between the traffic of gallery patrons and the quiet in the recesses of my soul where I contemplate the next painting.

rachael

Elena, Courtney, Morgan and Rachael

One of the highlights of my show featured my teaching colleague, Rachael Peterson, bringing three of my Advanced Placement Art History students all the way out here from Arlington. What a joy to see them outside our everyday school complex. The girls fell in love with Palestine, its businesses and its people. Thank you, girls, for coming out and making this even more fun. You truly are a treasure, and I’m still smiling at every memory of you.

Tripp

Photo by Z Jary

Yesterday I was visited by a pair of artistic friends, Elaine and Z Jary. Elaine is a watercolorist and Z a photographer. Z patiently photographed me repeatedly, inside and outside the gallery, and was kind enough to send me a fistful of photos online. I have selected this one to put up. Z Jary, thank you, I am amazed at your photographic eye.

I will definitely sleep tonight. I was in the gallery before eight this morning, and am now closing it thirteen hours later. But the day has been precious and I appreciate every conversation and every encouraging word I encountered today.

Thank you for reading.

 I paint in order to discover.

I journal when I feel alone.

I blog to remind myself that I am not alone.

Not the Rooftops of Paris, but Dark and Rainy Nevertheless, and Quite Good

February 20, 2017

 

grandma

Second Day on a 20 x 16″ Watercolor

But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the litle oranges into the edge of the flame and watch the sputter of blue that they made.  I would stand and look out over the roofs of Paris and think, “Do not worry. You have always written before and you will write now.  All you have to do is write one true sentence.  Write the truest sentence that you know.”  So finally I would write one true sentence, and then go on from there.

Ernest Hemingway, A Moveable Feast

Waking early this morning to a dark and rain-soaked world, I was glad not to go to work but to do as I please for the entire day.  Late last night I had begun work on a new watercolor of a Blues theme that I used to pursue fervently, but had stopped doing in recent years.  Soon I’ll release details on a new One-Man-Show that has been offered me, and I would love to complete some Blues art to hang in this venue.  I chose as a backdrop for the painting my grandmother’s abandoned house.  Then I took some selfies in my backyard, holding my late uncle’s pre-World War II Gibson archtop guitar.  I have high expectations for this composition and have already enjoyed a full morning of layering washes and drybrush details into the piece.  I’m taking my time with it.

As I worked, I dialed up on Netflix “Papa Hemingway in Cuba.”  When I’m painting, I love listening to movies, documentaries, and YouTube lectures.  They keep my mind engaged. And as this film rolled, my mind went back to some intense reading I enjoyed a few winters ago: Hemingway’s A Moveable Feast and Carlos Baker’s Ernest Hemingway: A Life Story.  And as I worked, I thought of all those times when I’ve struggled over whether to make art, read, or write when I had time to myself.  This weekend has produced another one of those environments for me that I love so much–what Paul Tillich referred to often as “creative eros”, an urge to create, period.  And when I find myself unable to resolve whether to paint, draw, read, write, or just sit in a comfortable chair with coffee to think and do nothing else–I realize that life could not possibly be better.

desk

Working on a New Lecture Series

Just before the weekend arrived, I discovered that among the post-retirement options offered to me this coming fall is a chance to teach Ethics at the university for the first time. Pulling from my shelf a volume from The Encyclopedia of Philosophy, I was surprised to find myself absorbed in a very lengthy History of Ethics article.  This came as a surprise because I seldom find myself interested for very long in an encyclopedia entry, particularly one that goes on for page after page after page, four columns staring back at me every time I turn the page.  But this article has really taken me in new directions.  For decades I have been interested in the history of philosophy, but usually focused on metaphysics and theories of knowledge, never ethics.  Now, as I read the ethical portions of these philosophers and schools, I am amazed at the new ideas I’m grafting onto the structures already learned.  The new directions are quite exciting.

Reading this article has also led me back to a famous book that I have never successfully stayed with over the decades: Paul Tillich’s The Courage to Be.  Now, having read twenty-seven pages and scribbling out a pile of notes, I feel that I am finally into this book as well. The reading of just these two sources has already produced pages and pages of journal entries, paragraphs, diagrams and illustrations of new ideas waiting for further development.

creel-redone

“Thinking About the Next Catch”

Last night I received my email notification that the piece pictured above has been accepted to show in the 32nd Annual Texas & Neighbors Regional Art Exhibition to be held at the Irving Arts Center April 29-June 3. There were 585 pieces juried, and 75 selected.  Over the years, I have visited this show and always wished to participate, but continually missed the application deadline.  Thanks to an artist friend, I met the deadline this year, and now am very happy for this opportunity of hanging one of my pieces with works selected from Texas and several neighboring states.

The weekend has been full and rewarding.  Thank you for reading.

I make art in order to explore.

I journal when I feel alone.

I blog to remind myself that I am not alone.

Soothing Moments in the River

May 5, 2016

 

brown trout 1 photoshopped

Eventually, all things merge into one, and a river runs through it.
Norman Maclean

My friend Bill Barksdale arrived at my door at 6 a.m. and we made our second journey to the waters, this time the White River.  The water levels were low and sluggish, and so were the trout, but I did manage to coax this 5-inch brown to take my fly. Fortunately, I was able to lift his sweet face out of the waters for a portrait, and then a quick release.

I was pleased with the kind of photo my Samsung phone was able to make, but Bill went to work with his high-end camera and took several shots to record our morning:  I’m surprised that I’m not scowling more deeply as this river has required tiny flies that my eyes don’t see as well as they did in younger days.

IMG_2098

IMG_2103

I could not have dialed up a more perfect day, spending most of it in the river. Watching trout rise to sip flies from the surface (except for mine), thrills me to the core.  For much of the morning, I gazed at row after row of trout, lined up to feed on whatever drifted past them (except for my own flies), their tails and fins undulating softly in the current.  All of it produced such hypnotic sensations, and I felt that I could have watched these sights for days.  And wade fishing in trout streams has always settled my pulse rate.  The past week has been fast-paced for me, with much travel, many daily appointments and responsibilities, and plenty of second-guessing.  I now face two consecutive days of judging art competitions, but tomorrow’s will be held late in the day, and then Saturday’s will happen in the morning. Fortunately for me, the activities are spread out, allowing me quality time to unwind between my responsibilities.  And so far, I’ve managed the perfect blend of making watercolors outside and fly fishing.  The week has flown by at warp speed and I’m astonished tonight to realize I have only two full days remaining at this event, before journeying back home to return to my full-time job.  I’m confident that once I return home, my batteries will be charged sufficiently for me to resume my duties.

Thanks for staying with me this week.

 

 

Finding the Seam

March 6, 2016

Finding the Seam

My Watercolor from Several Years Back

I admit that this is highly unorthodox, but I’m going to post the talk I’m planning on giving before the Samaritan Sunday School class at the First Methodist Church in Arlington, Texas later this morning (hoping that none of the class members will find and read this in advance). This is a class of adults that I came to love deeply about twenty years ago when I was asked on a number of occasions to speak before them.  They even invited me to attend a weekend retreat at Lake Murray Lodge in Oklahoma, serving as a conference speaker.  The memories of them have always been rich, even though we drifted in different directions over the past decades. Recently they found me again and invited me back last Sunday.  Today I will close out my series with them.  Thanks for reading:

Finding the Seam[1]

          Good morning. The title of this morning’s meditation is “Finding the Seam.”  I shared with you last Sunday that my mind has already surged ahead to summer, that I have already booked a cabin in Colorado so I can pursue my passion of fly fishing for wary trout.  I only regret that I still have twelve weeks of classes to endure.  Once that final bell sounds, I will experience escape velocity.  I’ll begin by visiting Mom and Dad in St. Louis, but only for a short time.  I believe it was either Benjamin Franklin or Mark Twain who once remarked that fish and house guests begin to smell after three days.  So I’ll only trouble my parents for three days.  Then I’ll point my Jeep west for a nice, extended over-the-road trip, Jack Kerouac-style, to pick up, as though it were a hitchhiker, a life that I dropped off a few years back.

I recall the words of the author Robert Travers, snickering at the reputation of the frustrated artist, and identifying himself as an unfrustrated fly fisherman.  I don’t think I have ever been a frustrated artist, but I do know that I regard myself as an unfrustrated fly fisherman. It was not always so.  In my redneck days of rod-and-reel river fishing, I heard people say that if you spend the beautiful day outside and never catch a fish, it’s still been a good experience, imbibing the beauty of the outdoors.  Well, I knew that for me that certainly was not true.  If I fished all day and got skunked, it sucked.  But once I converted to fly fishing all that changed profoundly.  There is a ritual that comes with rigging up.  I used to want to jump out of the vehicle, and get my line into the water as quickly as possible. I always wished that I could have the rod-and-reel ready and baited up, and that I didn’t have to drag a tackle box and folding chair and minnow bucket and stringer and lunch pail and all that stuff down to the river’s edge.  I just wanted to catch fish and catch ‘em fast.

Fly fishing, for me, was a revelation, an entrance into a new world.  Indeed I’ve heard some speak of fly-fishing as reverently as religion.  In fact, Norman Maclean opens his famous book with this hook: “In our family, there was no clear line between religion and fly fishing.”[2]  I have to testify in all seriousness that Colorado fly-fishing always restores my weary soul.  I take my time, rigging up the fly rod, tying on tippet and flies, pulling on waders and boots, all the while sensing the river rolling by as it has for millions of years. And then, to approach the river, survey its dynamics, and step into the stream—at that point, I feel my breathing change and sense that my heartbeat has settled down. And yes, if I fly fish the entire day without a hit, it’s still been a most magnificent day to be alive, outside, and away from the daily routine.

Ever since I read the book by former New York Times editor Howell Raines titled Fly Fishing Through the Mid-Life Crisis, and then saw that marvelously engaging film based on Maclean’s novella titled A River Runs Through It, I knew I was missing out on something spectacular in this life.  Even in high school, when I read Ernest Hemingway’s two-part short story “Big Two-Hearted River,” I knew I wanted to hold a fly rod in my hand one day, and step into a mountain stream.  It would be different from what I had known as a child growing up with a cane pole and later a rod and reel.       
Over the past decade, every time I stood in a stream, beneath the shadows of a Colorado canyon, Emerson’s words from his very first book would come whispering back out of the atmosphere to soothe  me, as he wrote: “the currents of the Universal Being circulate through me; I am part or parcel of God.”[3]  Drawing from another Emerson metaphor, I can testify that when I enter that place, I cast off my years like a snake does his skin, and remain forever a child.  In the river I find perpetual youth.  In the river, I return to reason and faith.

As I listen to the sounds of water rushing over and around the rocks, past my boots as it cuts through the banks, I hear Maclean’s words coming back to me: “Eventually, all things merge into one and a river runs through it.  The river was cut by the world’s great flood and runs over rocks from the basement of time.  On some of the rocks are timeless raindrops.  Under the rocks are the words, and some of the words are theirs.”[4]

Now, when one steps into that swift stream, the casual eye will see only a large volume of water surging past.  But there is so much more going on, as anyone observing long enough will come to realize.  The water is running past in channels, or separate lanes, if you please.  Some of those lanes are flowing faster than others.  And oftentimes you will notice that there are pockets of water that are hardly moving at all.

What the fly fisherman is looking for are the seams dividing those channels.  More specifically, the fly fisherman is looking for the seam that separates moving water from still water, or at least the swifter water from the lazy current.  The trout, you see, are lined up in the slower lanes, where they can just hang out with as little effort as possible, and they have their noses in the seam, watching the swift current carry the insects by.  The fly fisherman drops his fly in the seam and lets the current carry it down the lane, past those lines of fish, in hopes that the fly looks real enough that one of them will dart out and take it.

Ralph Waldo Emerson and Henry David Thoreau are institutions of American literature, but few people really know what these nature writers are doing. Their school of thought is called New England Transcendentalism, and it urges that for every physical element we perceive, there is a higher, corresponding truth.   And that is where I am going with this morning’s remarks about fly-fishing in mountain streams.  This morning’s topic is about that seam that divides the forces, the fault line separating the dual channels.  There are several modern thinkers I wish to share with you this morning who had intriguing ideas about these seams we find in life.

Paul Tillich, early in his life, published a book titled On the Boundary.  His “boundary” is the same as the “seam” I’ve just been discussing.  The boundary is what separates opposing forces—it’s the seam that separates opposing ideas.  It is the seam that not only divides the camps, but appears to hold them together in tension.  Tillich found that boundary cutting through his religious traditions, his university responsibilities and his daily tasks.

In Friedrich Nietzsche’s masterpiece Thus Spoke Zarathustra, he described the human condition as a rope stretched over an abyss, between the beast and the person of excellence.  The actual life is the journey across that rope, a dangerous on-the-way, a dangerous across, a process and not a destiny.  Life is that narrow seam, cutting through the abyss. On one side are the traditions and on the other are the discoveries. We keep threading the path, one step at a time, between the standards and the experiments.

Karl Barth, a contemporary of Tillich, and likewise indebted to Nietzsche, used the same imagery when he described his life as a dialectical theologian.  He said he had to walk a narrow precipice and keep moving so he would not be in danger of falling to one side or the other.  He was describing the extreme party positions of his day, between the Protestant Liberalism of the late nineteenth century, and the Neo-Orthodoxy of the early twentieth.  Barth testified that the challenge lay in threading the seam between them, always moving forward.

What is that fault line?  What is that junction in the midst of the dualism?  Where are the seams in your life?  Well, I’d like to take the time to point out a few possibilities for thought this morning.  In his first book The Birth of Tragedy, Friedrich Nietzsche argued that there was indeed a seam in the human spirit, but not a division between soul and body as Plato and all his descendents assumed.  Taking his lead from ancient Greek theater, Nietzsche said the two patron gods Apollo and Dionysus personified this dualism, with Apollo representing our reasonable side and Dionysus portraying our passionate side.  Apollo was the tradition and Dionysus was the exploration. These sides are not to be equated with good and evil, by any means.  Nietzsche urged that either extreme was unhealthy.  In the centuries following Greek theater, Aristotle himself urged that all forms of extremism are wrong; the healthy human soul should seek the Golden Mean, another nice synonym for the seam, the fault line that passes between the extremes.  It is easy to see the two sides of reason and passion in our individual makeup.  One side of our makeup is given to order, to rules, to convention, to propriety.  The other side explores the drama, the new, the adventure, the creative impulse.  Neither side can yield a fullness of life.  Regimentation is no way to live life in its fullness, but neither is recklessness.

Another seam that could be found in personal life, if I may draw from the world of basic mechanics, is that line separating Intake and Exhaust.  As human beings, we require nourishment as well as exercise, intake as well as output.  And in our everyday social lives, we take steps to take care of ourselves, and we also find opportunities to reach out to others in our circle.  Throughout my life, in the workplace, and among my circles of friends, I’ve seen many suffer from a dreadful imbalance, and I certainly have suffered it myself.  Exhaustion occurs when you spend all you have in personal resources to prop up others, and neglect your own basic needs.  I still remember the first time I heard the word “burn-out.”  It was used by NFL head coach Dick Vermeil, when he abruptly retired from coaching the Philadelphia Eagles after a Super Bowl loss.  He had been driven like a locomotive, sleeping little, skipping meals, and even keeping a cot in his coaching office instead of going home at night to his family.  Finally, he collapsed in exhaustion and retired.  In his press conference, he described his personal life as “burned out.”

Then there is that other extreme—the individual who lives only for the self and develops a kind of spiritual autism.  When people are elderly we sometimes use the word shut-ins to describe a lifestyle that no longer leaves home, and experiences no one coming in to check on welfare.  They turn in on themselves and eventually their world is just an internal world.  Likewise there are those who in younger years find ways to close themselves off from meaningful contact.  Many times they are diagnosed with clinical depression.  Some are brutally honest and say they just don’t like people and prefer to be left alone.  At times they can degenerate into suspicion and paranoia.

I have often in the past held up Jesus of Nazareth as a prime example of one who poured himself out in the service of multitudes, but balanced it with retreats into solitude where virtually no one knew where he was staying.  He avoided the exhaustion by taking quality time to pay himself and revive.  You could count on it.  If the New Testament record testifies to his spending an entire day teaching, arguing, healing and resolving disputes between parties, you could then find him in absentia the following day.  He is in a mode of prayer and meditation.  In solitude he regains his focus and determines what to do next in his ministry.

Another seam that I would like to address this morning was brought up last Sunday, and that concerns what lies between the individual and the social dimensions of our being.  I once heard a psychology teacher defining introvert and extrovert in the following way: the introvert knows the self and stands confidently in that identity, whereas the extrovert depends on others to define his or her identity.  Some people are more private, so they may be referred to as introvert, whereas others are more gregarious and are therefore deemed as extrovert.  But the human being functions in solitude as well as corporate activity.  And as a teacher I’m just as concerned with one extreme as the other.  Parents are understandably upset at a son or daughter that comes home and broods, choosing to withdraw from family and friends.  Other parents are equally perturbed at the child who comes home with the cell phone perpetually in the line of vision, knowing it’s going to stay there for the duration of the night.  Because, you see, some teens are terrified at the thought of being alone.  If no one out there is talking to them, then they have become meaningless.  And Tillich testified that the fear of becoming meaningless is one of the gut-level anxieties that plague the modern consciousness.

And finally, the seam dividing Time from Eternity. While living for two years, two months and two days in a cabin beside Walden pond, Henry David Thoreau penned these words:

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains.[5]

That makes my heart flutter.  In the sixth century before Christ, two pre-Socratic philosophers argued over whether the essence of life was time or eternity. Heraclitus said “You cannot set foot in the same river twice.  All things flow; nothing abides,” while Parmenides argued that time is only illusion; there is only Eternity, there is only Being.

Henry David Thoreau, bending over to drink from a flowing stream said:

Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains.[6]

Norman Maclean wrote: “Eventually, all things merge into one, and a river runs through it.”

So, life as a river surges forward, cutting a path between the extremes: Reason and Passion, Intake and Output, Individual and Social, Time and Eternity.  At any rate, it moves forward, in a perpetual flowing stream, never stopping. Emerson mused that few people could look at a flowing river and not make the transcendental leap to contemplating life as a moving stream meandering along its path, enriched by the seams embedded in that contextual flow.

That is my testimony this morning.  Life’s river is comprised of many seams dividing the channels.  And in those seams are clues that offer a greater understanding of life’s choices and rich possibilities.

 

[1] Sermon delivered at Arlington First United Methodist Church, 6 March 2016.

[2]Norman Maclean, A River Runs Through It (New York: Simon & Schuster, 1976), p.1.

[3] Ralph Waldo Emerson, Nature in Selections from Ralph Waldo Emerson, ed. Stephen E. Whicher (Boston: Houghton Mifflin, 1957), p. 24.

[4] A River Runs Through It, p. 113.

[5] Henry David Thoreau, Walden and Civil Disobedience (New York: Penguin Books, 1983), p. 142.

[6] Ibid.