Posts Tagged ‘Mozart’

Sentries in a Quiet Space

April 3, 2015
Abandoned Gas Station,  Revisited

Abandoned Gas Station,
Revisited

Today we do not know how much we owe to Shakespeare. His work is no longer confined in his writings. All literature has been influenced by him. Life is permeated with the thoughts of Plato, with the thoughts of all great artists who have lived. If you are to make great art it will be because you have become a deep thinker.

Robert Henri, The Art Spirit

I could not have scripted a better Good Friday, rising at daylight and getting many domestic, business and bookkeeping chores accomplished as well as finding some quality time to focus on this watercolor with no classes to teach or meetings to make. As the hours stretch deeper into the night, I am now filled with a deep sense of satisfaction, sipping my coffee, listening to Mozart’s Symphony 34, and poring over this watercolor to discern what to pursue in the morning when the natural light returns. This is one of those times I’m choosing not to paint under house lights. The northern lights bathing this watercolor over the past week have given me a different perspective of the dynamics of watercolor on paper.

The Henri quote above resonates with me. Throughout my schooling, I was a plodder when it came to thinking, often considering myself inferior to my peers. None of it came easily for me. By the time I was finishing my Bachelor’s degree, I had acquired an unquenchable curiosity and could not seem to learn fast enough. None of that has changed over time. For a number of years, I have mused over developing some kind of theory, a personal aesthetic to guide my art endeavors. I have created and organized a myriad of files on art theory, mingled with my own essays on the subject, and can honestly say I feel no closer to figuring it out than I did five years ago. I just love to watercolor, and when I’m focused on a subject, eveything else seems to melt away, most of all time. And as I paint, ideas emerge from the gloom and comingle with others. I love thinking over things I have read in philosophy, theology, literature and art history. And I love the feel of my mind moving through those subjects unbridled as the brush continues to work its way over the surface of the painting. Sometimes I fantasize that the two sides are playing off of each other.

I am referring to his pair of abandoned gas pumps as “sentries” because I see a certain personality, or demeanor in their posturing. And I’m trying to find a way to make a pleasing complementary color scheme with the green foliage behind the red staging area. I’m still not sure if I’m going to keep the Texaco oil can that I inserted on a whim in the window (I still laugh as I recall N. C. Wyeth taking Andrew’s brush and scrubbing out an unnecessary object in his painting under construction, brusquely saying: “You don’t need that.”). And there are still matters to figure out with the shadows and contrasts, as well as the balance of warm and cool colors. All kinds of technical details crowd into my consciousness, but I feel that in the end all that is going to matter is whether or not this painting finds a way to resonate with an audience, beginning with me. These are good things to ponder, and I’m glad I still have a couple of days in front of me this weekend.

Thanks for reading. And speaking of such, I haven’t gotten to read all day. I shall attempt that now.

I paint in order to remember.

I journal when I feel alone.

I blog to remind myself that I am not alone.

Ringing the Bell for Recess!

March 4, 2015
A Cozy Night in the Studio

A Cozy Night in the Studio

As I ponder’d in silence,

Returning upon my poems, considering, lingering long,

A Phantom rose before me with distrustful aspect,

Terrible in beauty, age, and power,

The genius of poets of old lands, 

As to me directing like flame its eyes,

With finger pointing to many immortal songs,

And menacing voice, What singest thou? it said,

Know’st thou not there is but one theme for ever-enduring bards? . . .

Walt Whitman, “As I Ponder’d in Silence”

At 8:50 this evening, the joyful message arrived: “Due to inclement weather, classes tomorrow are cancelled!” I felt like an elementary student when the recess bell rings. Two days ago, I scratched out some time to play with and blog my “Harold and the Purple Crayon” watercolor sketch, and just ached to return to the studio yesterday, but too much school stuff intervened, and next thing I knew, the hour was late and I had to retire to bed. Today was a grueling A. P. Art History stretch of classes. But now, I’m free again, a sailor on a 24-hour pass! A student sprinting toward the swing set!

For a few days, I’ve wanted to begin a series of charcoal sketches of a bust I own of Democritus. He sits peering at me through the darkness, just outside the pallor of my desk lamp late nights and pre-dawn mornings. And as I study, I’m always conscious of his presocratic contribution toward the discussion of what lies at the core of Being. The Greek word archē is difficult to translate with facility. We use it to form words like archaeology, architect, archbishop, etc. It refers to the chief, the source, the head, the first. The presocratic thinkers debated among themselves as to what it was that lay at the headwaters of all that Is.

The Whitman poem has haunted me recently, because he felt the chill from the witnesses of antiquity looking over his shoulder when he struggled to give birth to something sublime through his verses. I also feel that shudder when I’m thinking in solitude, writing in my journal, reading pensively, or leaning over a drafting table trying to carve onto the surface of paper some kind of image in the name of Art.

As temperatures outside slide into the 20’s and snow fills the black night sky, I’m delighed to be inside with coffee, my books and art supplies, the sounds of Mozart’s String Quartets coming from my turntable, and a heart filled with gratitude.

Thanks for reading.

I make art in order to remember.

I journal whenI feel alone.

I blog to remind myself that I am not alone.