Posts Tagged ‘Rusk Texas’

Beginning a New Train Watercolor

October 24, 2017

300

The hour is drawing late, but I wanted to post this photo of a new train composition I began working on today. Time is running out for my November 11 train show, so this could possibly be the last painting completed before the show opens. I look forward to detailing the locomotive tomorrow.

This subject is the old #300 of the Texas State Railroad.  It is a Baldwin 2-8-2 Mikado steam locomotive that is one hundred years old this year. The number has been changed to 30 now, and the paint scheme is also different. From pictures of the past, I’ve learned that this train was trimmed in red and yellow. I look forward to seeing how this different color scheme will play out beneath the night sky.

Thanks for reading.

Return to the Watercolor Studio

September 13, 2017

rusk train

Beginning Study of the Texas State Railroad in Rusk, Texas

While considering my composition for the ceiling, which pleases me only since yesterday, thanks to the changes that I made with pastel in the sky, I was saying to myself that a good picture was exactly like a good dish, containing the same ingredients as a bad one: it is all a question of the artist who produces it.  How many magnificent compositions would be nothing without the grain of salt of the great cook!  That power of the indefinable thing is astonishing in Rubens; what his temperament, his vis poetica, adds to a composition, without seeming to change it, is prodigious. It is no other than the turn of the style; the way he does it is everything, the matter he deals with is comparatively unimportant.

Eugene Delacroix, Journal, June 8, 1850

I was pleased to find a large quantity of time and space this afternoon and this evening to return to my watercolor studio and begin work on the magnificent excursion train that runs between Palestine and Rusk, Texas, through the piney woods. A couple of weeks ago, I finally was able to board that train, thanks to a generous benefactor who booked me first class (I appreciate you, Ben!). I took dozens of photos during the pleasant four-hour experience, and am delighted now to compose some watercolors of that phenomenon.

Even though my lecture preparations have chewed up most of my time recently, I’ve managed to continue my reading of the Journals of Delacroix, and find myself mesmerized at that artist’s erudition. My feeble abilities in Latin were at least able to translate vis poetica as “poetic genius” or “artistic force.” And I’m always wrestling with that notion of what exactly gives art work its lasting quality. I’ve always believed that skill is necessary, and am grateful that I seem to have been born with a talent for it, and had excellent instructors in high school and college. But that “indefinable thing” mentioned by Delacroix still drives my query.

Throughout my life I have played guitar for the pure joy of it. And I believe in my heart that though I know how to play the guitar, I am not much of a musician. What escapes me is that “touch” that I envy so much with excellent guitar players who know how to coax the sweet strains of music from those strings. In comparison, I always feel that I am “clunky.” Still, that doesn’t stop me from playing my guitar.

In similar fashion, I have looked at art all my life, and am convinced that there are many skilled people that still are not artists, because that “indefinable thing”, or vis poetica, doesn’t appear in their work. I laugh every time I read those portions of Jack Kerouac’s On the Road where Dean Moriarty says that a particular musician has “It.” It is precisely that quality that separates “art” from “art work”. The joy that I feel in the pursuit of art is the quest for that spark, that element that makes the composition become “art.”

Sorry if I seem to be rambling. I haven’t blogged for quite some time, and tonight I’m just happy to be painting again. The start I have on this train is promising, and I’m loving the tight detailing just as much as the splash and dash of the looser parts of it. And as I continue to look into this composition and make decisions, I’ll continually wish for that “indefinable thing” to come to the surface. Every time I attempt a painting, I am hoping for something transcendent to emerge.

I only have a few months left to finish my big project–a series of train paintings to sell as originals, prints and greeting cards through The Gallery at Redlands this Christmas season. I’m happy to find a large project to target, and hope this one works out.

Thanks for reading.

I make art in order to discover.

I journal when I feel alone.

I blog to remind myself that I am not alone.